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Flow
“Flow” is an immersion into the depths of the inner world, beyond what is accessible on the surface. It is a search for a connection with the intangible, an entry into a state of flow where intuition takes the lead. Each work is born from pure improvisation, creating a conversation that has never existed before — a dialogue between the artist and the clay, form and emotion.
At the core of the process lies trust in the material. Just as clay exists in a state of constant transformation, the artist embraces and explores their subconscious inner life. The clay becomes a co-creator, a collaborator, a wise and humane partner that guides.
Saudade. Ester
р.
р.
2022
clay,  porcelain, glaze
35/45/20 cm
Saudade -  the recollection of feelings, experiences, places, or events that once brought excitement, pleasure, and well-being, which now trigger the senses and make one experience the pain of separation from those joyous sensations
Сell
р.
р.
2024
clay, porcelain, metal, glass
78/60/58 cm
an object of memory that strives for stability, often not whole, torn; parts of metal structures begin to grow into them, the remains of glass melt on the surfaces. My homage to the great Louise Bourgeois.
Mirage
р.
р.
2023
clay, porcelain, glaze, metal
56/53/30 cm
created by the imagination, the reflection of a refracted form in the air
Tarab
р.
р.
2022
clay, glaze, metal
20/50/30 cm
Tarab (Arabic) - rapture or ecstasy caused by music / a state of ecstasy or bliss caused by music. "Tarab" can be translated into Russian as "catharsis", "liberation". This is the emotional excitement that occurs when listening to songs. Tarab also refers to the sense of community and involvement that people experience at concerts.
Rondo
р.
р.
2024
clay, glaze
65/45/45 cm
Barcarole
р.
р.
2023
play, glaze
41/43/45 cm
Mono no aware
р.
р.
2022
clay,  porcelain, glaze, metal
48/49/12 cm
Mono no aware (物の哀れ) - literally "the pathos of things", the feeling associated with the awareness of the impermanence of existence, and both a transient gentle sadness at their passing as well as a longer, deeper gentle sadness about this state being the reality of life.
Hanakotoba
р.
р.
2021
сlay, porcelain, glaze
35/52/30 cm
Hanakotoba (花言葉). Japanese / n. / hæ.næ.kəʊ.təʊ.bə / ha-na-ko-to-ba. The Japanese form of the language of flowers (in which flowers symbolically represent qualities, and so can convey emotion and communicate directly to the recipient or viewer without
Sturmfrei
р.
р.
2022
clay,  porcelain, glaze
64/52/32 cm
Sturmfrei – an emotion that people feel while being alone at the apartment without parents, housemates or flatmates. This emotion caused by an ability to do whatever you want without feeling uncomfortable by someone else's presence
Killig. Cloudy night
р.
р.
2022
clay,  porcelain, glaze
33/50/50 cm
Killig (Tagalog, Philippines) - feeling of butterflies in the stomach caused by intense romantic/love feelings
Gigil. Donder
р.
р.
2022
clay,  porcelain, glaze
44/30/30 cm
Gigil (Tagalog, Philippines) – An irresistible urge to pinch or squeeze someone you love in your arms
Satellite
р.
р.
2022
сlay,  porcelain, metal
40/47/45 cm
Satellite of a kenopsic object can cause excitement, gloom, anxiety or curiosity
Waldeinsamkeit I
р.
р.
2022 г
сlay,  porcelain, jute
35/43/42 cm
Waldeinsamkeit - is a German word that describes the specific feeling of solitude in the woods, and one's connectedness to nature.
Waldeinsamkeiт II
р.
р.
2022
сlay,  porcelain, wood
35/44/35 cm
Desbundar. Simply red big
р.
р.
2021
сlay,  glaze
62/35/40 cm
Desbundar (port. “throw off the fetters, have fun.”) - a feeling of liberation from an internal prohibition. It can be felt by allowing yourself to enjoy something that you like.
Desbundar - to shed one’s inhibition in having fun
Kenopsia I
р.
р.
2022
сlay,  porcelain, metal
70/40/39/39 cm
Kenopsia – an emotion caused by the forlorn atmosphere of a place that’s usually bustling with people but is now abandoned and quiet—a school hallway in the evening, an unlit office on a weekend, vacant fairgrounds.
Amarylis III
р.
р.
series Immersion
2025
54/50/06 cm
clay, glaze
Amarylis II
р.
р.

series Immersion
2025
52/56/32 cm
clay, glaze
mmersion – into the natural environment, into thoughts and impressions, and then into the material – for me this is a natural process of my existence.
The results of my immersions are now embodied in images and in tangible ceramic objects.
Amarylis I
р.
р.
series Immersion
2025
39/57/21 сm
clay, glaze
Immersion – into the natural environment, into thoughts and impressions, and then into the material – for me this is a natural process of my existence.
The results of my immersions are now embodied in images and in tangible ceramic objects.
Deep
р.
р.
series Immersion
2024
35/49/15 сm
clay, glaze
Immersion – into the natural environment, into thoughts and impressions, and then into the material – for me this is a natural process of my existence.
The results of my immersions are now embodied in images and in tangible ceramic objects.
Foam
р.
р.
series Immersion
2024
43/35/17 cm
clay
Immersion – into the natural environment, into thoughts and impressions, and then into the material – for me this is a natural process of my existence.
The results of my immersions are now embodied in images and in tangible ceramic objects.
Charm coral
р.
р.
2025
clay, glaze
38/39/25 cm
unique stories of living creatures of fragile coral reefs Ras Mohammed
Charm turquoise
р.
р.
2024
clay, glaze
60/55/35cm 42/35/18 cm 48/53/15 сm
The unique stories of living creatures on the fragile coral reefs of Ras Mohammed
delicate balance
р.
р.
2024
clay, porcelain, metal
50/40/24 cm
Melithea
р.
р.
2024
53/37/40 cm
clay, glaze, metal
core I
р.
р.
2024
65/45/45 cm
clay, glaze
CORE (lat.) is about our essence.
CORE is the place within
CORE is a series of sculptures inspired by the symbolism of the core, heart, and essence — as embodiments of life energy, the soul, and accumulated experience..
core II
р.
р.
2024
45/45/50 cm
clay
CORE (lat.) is about our essence.
CORE is the place within
The sculptor uses the metaphor of the core — as essence, as a vessel — to symbolise the life’s energy and soul. Through this symbol, the connection between tangible corporeality and intangible spirituality is expressed in ceramic objects
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