The research aims to realise and accept the different fragments of lost or future memories into a whole one, which is both hard and gives a sense of lightness at the same time. Physically this is where objects with wings are born, they want to fly, and spheres are ready to unite them.

It’s a metaphor of memory. The process of remembering, referring to the past takes place in the present and gives the opportunity to refer to memory in the future.

The author’s thoughts on the relationship with nature and their comprehension. The artist observes living forms and natural materials and their transformations, collects these observations, synthesises and realises them in objects. The search for harmony in imperfection gives birth to soft forms and multi-layered structures.

The author’s interest in the growth and decay of a living natural object is for an obvious reason: the same processes happen to humans. Is it possible to consciously and wisely accept the inevitable...

The author materialised her vision of flow in the sculptures using British psychologist Tim Lomas’ concept «Positive Lexicography», which collects various words that define the nuances of emotional experiences. Most of the terms related to this concept describe whole complexes and nuances of sensations and there is no unambiguous translation for them.

The research proposes to inspire the viewer to try to experience new sensations and look at old ones from a new angle by interacting with sculptural objects.